Saturday 28 July 2018

Adding detail to expand sentences in writing


Adding detail to expand sentences in writing

One of the stumbling blocks when it comes to productive skills is, to begin with, coming up with ideas especially for young learners who are required to sit formal language exams. Assuming that the ideas are there or discussed in class, the word limit for the written tasks may constitute another obstacle to a satisfactory performance. Organisation, accuracy and communicative ability are all very well, but one must learn how to add detail, how to expand a sentence without repeating oneself.

There are two ways in which the teacher can help their students. The obvious one is to provide examples of how to add detail when correcting a writing task. The second is to highlight detail in texts presented in class. I am going to illustrate how to do the latter by looking at a text which I used with a group of students preparing for the Cambridge Proficiency exam (Level C2 for those who might be unfamiliar with formal exams).

The text, an article published by BBC on 8 July 2018, focuses on a Spanish woman’s fight to pursue a career as a military psychologist, to the preparation for which she has devoted two years of her life, without having her tattoo removed.


I spotted a few details in the text which could be removed without detracting from the content or grammatical construction and jumbled them asking the students to fill each gap with the right short extract.
I won’t claim that details can be divided into clear-cut categories, but I will use the text in question to provide some guidelines as to how one could go about it.

The first detail explains what the lotus stands for. The reader would have to look it up if it were not for the relative clause which follows. Therefore, providing definitions for concepts mentioned in writing is one type of detail.
The second detail refers to the place where something occurs.
The third detail describes a condition on which something happens.
The fourth illustrates a point with an example.
The fifth one is a second thought for “two years of my life”.
The sixth one adds a reason why something should be so.
The seventh one qualifies the preceding statement.

The teacher could ask the students to bear in mind those examples of detail and try to use as many as would be appropriate in their next writing assignment.

A final suggestion is to get the students to draw up a list of different kinds of details which have been highlighted in other texts or which the teacher has added in their writing.



Monday 16 July 2018

A summer night’s vision


A summer night’s vision

The drifting moon
Was gazing down
A seamless blue
The sleepless sea
A swelling lull
The slightest signs
Of life subdued
In its arms
An eerie stillness
The cosmos ruled


A trail of dreams
Wrestling free
Like sailing boats
Under a breath of wind
Their skyward course
Across the nightly cloth
With eagerness pursued

The restless vision
A flight of fancy
Unchecked
In its inception
A  ruthless rift
Insidiously wrought
In the nocturnal harmony


Maria Danoussi, 2 years ago


Monday 9 July 2018

Mystery and teaching

Mystery and Melancholy Giorgio de Chirico


Ideally, to stimulate and hold the students’ interest you need a touch of suspense and a balanced mix of science and art. It is not every day that I can strike gold in this endeavour, but from time to time I come across some promising material such as a recent item entitled How we Found Three Poisonous Books in our Library on Conversation.
You could introduce your topic by writing down
books                                    poison                         colour
and then asking the students to think of any possible ways to link the ideas. The speculation would enhance the mystery around the forthcoming text.

To test some fine points in syntax I turned some extracts from the text into a transformation exercise, which the students had to do before they read the text. They then confirmed their answers while they read the text.

I also gave them a vocabulary exercise to do in order to practise the new words.

However, I often get this niggling feeling that the students are not quite active in learning when they simply perform tasks, but on the other hand I am aware of the fact that because they are young they need some guidance in order to become independent learners.

To this end, I searched on the internet for some related topics and came up with the following:

The mystery of Caravaggio's death solved at last – painting killed him, The Guardian

and
Oil paints that could kill: did Albrecht and Margret Durer poison their customers with their paintings? Part I, By Dr. Elizabeth Garner and Joe Kiernan

Next, I devised some kind of framework within which the students can prepare an oral presentation of each text and assigned each to pairs of students. They had to meet up outside school and work together on their presentation. I was pleasantly surprised by how well they accomplished the task and how many questions arose out of doing this independently.
I provide the copies of the Student’s handouts here:
(Some Greek equivalents are given by way of explanation for some lexical items. I am all for such shortcuts when it comes to technical terms or words which it would take too long to explain.)