Sunday, 28 October 2018

Humble concoctions: In my Mind's Eye



Sometimes I gather stray thoughts together and I come up with humble things like this:

In my Mind’s Eye

My old mother used to say
If you can’t see the ocean
Behind those pale blue eyes
You are likely blind

And if you can’t feel the heat
In those dying embers
You’ve never been touched
By the divine

Your world is there
And you are forever
Reshaping it only
 In your mind’s eye

Saturday, 20 October 2018

Writing as a process: let's get extreme!



Writing at any level in our days has become a burden rather than a time of reflection and quiet introspection.

Technology and its concomitant distractions prevent young -- and more mature -- learners from  concentrating  on the task at hand. I dare say the social media, with their semblance of sociability, cultivate the attitude that being left on our own and to our own devices points to inflicted isolation, which is to be avoided by all means.

Motivating learners to write somehow involves persuading them to rethink the value of spending time alone with their thoughts, and this is not an easy thing to do but definitely worth trying.

A word of warning: I am not advocating a school environment free from technological equipment nor am I in favour of leaving students to deal with a writing task without support from the teacher. What I am saying is that independent thinking also occurs when the students are given time and opportunity to examine a question with the freshness of their own mind.

Writing at an advanced level is an extremely demanding activity as it requires performing many different subtasks. I therefore suggest that the teacher develops a method of guiding the students through the different stages of drafting and editing a piece of writing -- perhaps a different one depending on the nature of the task.

I will now focus on a specific form of writing and suggest an approach which could not only enable the learners to complete the task but would also teach them skills and ways of addressing similar writing tasks while at the same time it will activate their minds.

This is the topic
A sports magazine has invited its readers to write letters on the topic of dangerous sports. You have decided to write a letter (280-320 words) expressing your views about dangerous sports and what you think the responsibilities of the people who do these sports are.
It is a task set in the coursebook Masterclass for the Cambridge Proficiency published by Oxford University.

The first step was to ask the students for a definition of extreme sports to which the answer is typically an activity which carries a high risk possibly incongruous with the pleasure derived from practising it – though the last point is highly questionable.

Although the task seemed and indeed was quite straightforward, the students did not have enough ideas to develop into a 300-word letter, which brings me to the next step.

By focusing on structure and format, coursebooks tend to overlook the dearth of ideas and arguments, which is really the raw material for structuring anything at all. Rather than providing the students with a ready-made model, which is often well beyond their scope and abilities, I consider it a priority to train them to look for information on the Internet. It takes some time to learn the ropes since searching should yield the most relevant results, which requires thinking carefully of the key words of the search.

On this particular occasion I did the search for the students and gave them the links so they could read up. The first text was a New York Times article:
Taking sports to the extreme

The second one was a post from a blog:
Should extreme sports be banned as they put people’s lives at risk

The third one was an article again from The Conversation:
Adrenaline zen: what “normal people” can learn from extreme sports

The most important thing to warn the students about is that the texts they will read are in different formats and styles from what they have been asked to produce, which means that they will have to select the points that they will include in their own writing. They can copy-paste the relevant extracts onto a sheet of paper but the teacher must point out that they have to read the whole texts and then select relevant bits.

When the students had garnered all the relevant information, I gave them my notes, which evidently lay no claim to stylistic uniformity or structural integrity. The important thing is to make it clear to the students that their notes are a bank from which they can draw but not necessarily exhaust. The notes may contain ideas about linking devices which will come in useful later.

Here are the notes I made and passed on to my students as an example of what I was asking of them:


Once they have done the above, they are ready to start the laborious task of organising the ideas in the format required (a letter in this case) and adapting the material collected to their own personal style if their writing is not going to read like a mosaic of different styles and loosely connected ideas.

The final stage is the actual writing. When this is done in class, which it normally is, I make sure that I keep an eye on what each student writes in order to help with phrasing and stop them from wandering off. It is a painstaking process for the students and teacher alike but one that pays off in the long run.
Once they have finished their writing, I usually give the students the end result of my writing. Here is the letter about extreme sports:






Saturday, 15 September 2018

A poem to relate to: First Day at School



One of my favourite poems is First Day at School mainly because it encapsulates the whole range of emotions children experience on their very first day at school, strangers in an unfamiliar environment, where they will -- willy-nilly-- spend half -- if no more-- of their day.

If your students are mostly children and teenagers, you could ask them to sketch something, no matter how rough it may be, to illustrate their own first day at school. Explain it doesn’t have to be a realistic image – simply a representation of first impressions and gut reactions.

It is not so important for them to verbalise their experience as to convey a feel of the situation for the time being. It could be something like this 
 or something like that!


Following this introductory activity you could draw up a list of questions to ask, which will elicit some of the poem content though possibly in a different light.

§  What was the first sound that you registered?
§  Did you mix with other children before going into class?
§  How did you feel when you realised you couldn’t leave school?
§  Did the railings look scary? How?
§  What was your understanding of the word “lesson” before you started school?
§  What did your classroom look like? Did you find any aspect(s) of the classroom odd/disturbing?
§  What did your first teacher look like? Was s/he intimidating in any sense? Explain.

The students could write down their answers and compare notes to see how similar or divergent their experiences were.

Following that, you can show them the slide show without the lines the first time and ask them to tell the story of this First Day at School based on the sequence of images in the slide show. It would make the task easier for the students if you provided some key words or if you brainstormed the key words. They should be free to interpret the images and their relevance themselves; you might find the result mind-boggling!

 Alternatively, you could provide the first word of each line and ask the students to continue the line or even supply the last word of the line or both. The possibilities are endless, and you can improvise depending on the level and the aptitude of your students.







Tuesday, 7 August 2018

A dog's life on a page: a poor effort to pay my respects to a friend


Dogs are the mirrors of our souls. When I see a dog suffer, I feel the world’s most profound sadness.

A Dog’s Life on a Page
My name was Vromas[1] (it showed how much appreciated I was and how much effort went into my hygiene). I was found by a little girl and imposed on an old lady, who may have well loved me in her own way.

I was cute but never showed because, as I said before,  I never had the luxury of a bath. Nor did I get any vaccines or anti parasite protection. But I was robust and only too happy to serve.

I shared my space with other dogs—in fact I picked a few fights with a male who left us before I did. I gave him a bite or two, but nothing fatal .(Talking of fatal!) For a couple of years I was chained because I lived in the proximity of hens and chickens, and as you know, dogs love chasing them.

I grew old gracefully in an enclosed space and would have probably carried on living happily, but it wasn’t meant to be. A fancy dog was given shelter in my enclosure (dog owners often get tired of their pets but some of them can’t bear the guilt of putting them in the street). So anyway one day the fancy dog turned on me in a really nasty way and mauled me around the neck. Blood everywhere and screaming from my owner, but to no avail.

I was wrapped in a towel and left to my own resources for a few hours until another dog owner (unintentionally responsible for some puppies’ death and burdened with guilt) took the initiative to take me to the vet –together with her husband.
I was laid softly on the back seat of the car and driven to the vet. I was still conscious and when she turned round to look at me, I riveted my eyes on her trying to tell her it was no good. But she refused reality at point blank.

The vet was nice. He cleaned my wounds and put me on a drip. He even gave me a relaxing warm bath (the only one in my life) and removed my ticks. The people who brought me here visited every day but I was long gone – far too advanced in age and weary with life.

My eyes, a thousand words, will haunt one of them maybe for a long time, but memories fade. Humans forget humans – let alone dogs.               



[1] The dirty one in Greek

Saturday, 28 July 2018

Adding detail to expand sentences in writing


Adding detail to expand sentences in writing

One of the stumbling blocks when it comes to productive skills is, to begin with, coming up with ideas especially for young learners who are required to sit formal language exams. Assuming that the ideas are there or discussed in class, the word limit for the written tasks may constitute another obstacle to a satisfactory performance. Organisation, accuracy and communicative ability are all very well, but one must learn how to add detail, how to expand a sentence without repeating oneself.

There are two ways in which the teacher can help their students. The obvious one is to provide examples of how to add detail when correcting a writing task. The second is to highlight detail in texts presented in class. I am going to illustrate how to do the latter by looking at a text which I used with a group of students preparing for the Cambridge Proficiency exam (Level C2 for those who might be unfamiliar with formal exams).

The text, an article published by BBC on 8 July 2018, focuses on a Spanish woman’s fight to pursue a career as a military psychologist, to the preparation for which she has devoted two years of her life, without having her tattoo removed.


I spotted a few details in the text which could be removed without detracting from the content or grammatical construction and jumbled them asking the students to fill each gap with the right short extract.
I won’t claim that details can be divided into clear-cut categories, but I will use the text in question to provide some guidelines as to how one could go about it.

The first detail explains what the lotus stands for. The reader would have to look it up if it were not for the relative clause which follows. Therefore, providing definitions for concepts mentioned in writing is one type of detail.
The second detail refers to the place where something occurs.
The third detail describes a condition on which something happens.
The fourth illustrates a point with an example.
The fifth one is a second thought for “two years of my life”.
The sixth one adds a reason why something should be so.
The seventh one qualifies the preceding statement.

The teacher could ask the students to bear in mind those examples of detail and try to use as many as would be appropriate in their next writing assignment.

A final suggestion is to get the students to draw up a list of different kinds of details which have been highlighted in other texts or which the teacher has added in their writing.



Monday, 16 July 2018

A summer night’s vision


A summer night’s vision

The drifting moon
Was gazing down
A seamless blue
The sleepless sea
A swelling lull
The slightest signs
Of life subdued
In its arms
An eerie stillness
The cosmos ruled


A trail of dreams
Wrestling free
Like sailing boats
Under a breath of wind
Their skyward course
Across the nightly cloth
With eagerness pursued

The restless vision
A flight of fancy
Unchecked
In its inception
A  ruthless rift
Insidiously wrought
In the nocturnal harmony


Maria Danoussi, 2 years ago


Monday, 9 July 2018

Mystery and teaching

Mystery and Melancholy Giorgio de Chirico


Ideally, to stimulate and hold the students’ interest you need a touch of suspense and a balanced mix of science and art. It is not every day that I can strike gold in this endeavour, but from time to time I come across some promising material such as a recent item entitled How we Found Three Poisonous Books in our Library on Conversation.
You could introduce your topic by writing down
books                                    poison                         colour
and then asking the students to think of any possible ways to link the ideas. The speculation would enhance the mystery around the forthcoming text.

To test some fine points in syntax I turned some extracts from the text into a transformation exercise, which the students had to do before they read the text. They then confirmed their answers while they read the text.

I also gave them a vocabulary exercise to do in order to practise the new words.

However, I often get this niggling feeling that the students are not quite active in learning when they simply perform tasks, but on the other hand I am aware of the fact that because they are young they need some guidance in order to become independent learners.

To this end, I searched on the internet for some related topics and came up with the following:

The mystery of Caravaggio's death solved at last – painting killed him, The Guardian

and
Oil paints that could kill: did Albrecht and Margret Durer poison their customers with their paintings? Part I, By Dr. Elizabeth Garner and Joe Kiernan

Next, I devised some kind of framework within which the students can prepare an oral presentation of each text and assigned each to pairs of students. They had to meet up outside school and work together on their presentation. I was pleasantly surprised by how well they accomplished the task and how many questions arose out of doing this independently.
I provide the copies of the Student’s handouts here:
(Some Greek equivalents are given by way of explanation for some lexical items. I am all for such shortcuts when it comes to technical terms or words which it would take too long to explain.)