Monday, 29 April 2019

Kept In or Hey teachers leave those kids alone



The moment I started teaching I realised sadly that I was now on the opposite camp from the one I’d been as a student. No matter who we are and how vastly different from other teachers, in the students’ eyes we are authority figures to be respected and obeyed.

In the course of time, depending on our personalities   and circumstances, we forge our own relationships with our students and develop our own ways of dealing with all kinds of behaviour so as to facilitate the teaching process.

Trying to strike the correct balance between the concern for making the most of every single minute of my students’ time and allowing enough space for them to express themselves has always been my main preoccupation.

Teaching people – among other things – involves gaining people’s trust so that they will let down their guard and embark on that wonderful journey of knowledge which will benefit not only the students but the teachers as well as there is always a lot to be learnt from teaching different people with different attitudes to life.

Punishing students in various ways can result in them loathing the very people who should be their major prop –their teachers.
I have chosen a poem by Barbara Giles that focuses on the alienation children can feel and the resentment they harbour at being detained at school. The title of the poem is Kept In and the only slight adaptation I took the liberty to make is to turn the “lad” in the second stanza to a “girl”.

Here is a video I made to liven up the poem:


After showing the slideshow, you could ask the students to replace the following lines with their own ideas preserving the rhyme if possible:
With a Ho and a Hoo
I could turn you all blue
and
With a flash and a crash
I could turn you to ash.

You could also ask them to imagine a different place of origin from that of further off from Mars and explain why they chose it.
Another idea is to use an extract about Harry Potter’s detention at Hogwarts and ask students to compare reactions to detention.

If your students are old enough, they could be asked to write a letter to the press asking for the abolition of such a harsh and pointless form of punishment.



Sunday, 31 March 2019

Multidimensional Living



In our mind’s eye we all create alter egos populating this and other worlds simultaneously. Imagine living parallel lives like much science fiction – or not so “science” – would have us believe. How many of our secret wishes would come true if only we could.

Here is a poem of mine on this possibility of a multi-dimensional existence.


Σε μια άλλη διάσταση

Θα σε πάρουν μακριά
Οι άνεμοι της μνήμης
Στων ευχών μου την πατρίδα
Θα ζεις δίχως πρόσωπο ή όνομα

Θα είμαι ελεύθερη εδώ
Μα αιχμάλωτη αλλού
Θα περνάει ο χρόνος
Πάνω στις πέτρες του πάντα

Θα σκαλίζω σχήματα
Στην οικτίρουσα άμμο
Θα τα νιώθει το σύμμαχο νερό
Και απείραχτα θα μένουν
Εις μάτην των νόμων της φύσης


Sunday, 17 March 2019

Words, images and sounds or Rethinking dictionaries



Despite the fact that we have made significant progress in terms of resources and tools available to both teachers and students, we don’t seem to really have worked out a comprehensive approach to making vocabulary more digestible to learners.

As a teacher of English, I find vocabulary the most challenging aspect of teaching a foreign language for various reasons which any foreign language teacher will be aware of.

The first reason is an external one: the learner’s will and readiness to engage in learning and assimilating words. In my experience, grammar does not require such an active involvement as vocabulary -- assuming there is sufficient exposure to the language. Patterns keep repeating themselves and conclusions about what is right or wrong are drawn unawares as far as grammar and syntax go. 

 If, however, they are to memorise and save vocabulary in their long-term memory, learners have to make a conscious effort ideally to guess meaning from context or, when the opportunity is given, to look up words in the dictionary rather than expect the teacher to always provide an explanation and, above all, to integrate the items they have learnt in their speech. Without a shadow of a doubt, this takes commitment and perseverance.  

One need only look at the various methods learners use in order to internalise vocabulary to grasp the enormity of the task: mother tongue equivalents, paraphrase in the target language, examples and even theorising about how an item is used.

The first language can occasionally provide a more or less accurate equivalent, but more often than not, just a translation in the mother tongue will create some confusion when other synonyms in English can be translated in the same way. Take “get to”, “reach” and “arrive”. In Greek, all three could be translated with one word: «φτάνω». But then that would mean that if a Greek student was trying to say “I can’t reach the top part of the bookcase”, they would pick any of the three words quoted above if translation was their only resource.

It is obvious that translation by itself is inadequate in conveying the complexity of the different uses of words. Using a monolingual dictionary is an excellent way of understanding vocabulary and the nuances of its usage, but this is more appropriate for more advanced learners rather than beginners or intermediate students. Of course, presentation of new words in context and quotation of a few examples are always the best ways of complementing or replacing translation, but there is one aspect of vocabulary I find testing, and that is the different figurative uses of synonymous words.

A snowball struck him on the back of the head.
The robbers hit him over the head with a baseball bat.

But

Only a life-or-death issue such as a liver or heart will hit the headlines.
Such prejudices strike right at the heart of any notions of a civilized society.
It struck her that losing the company might be the least of her worries.
The realisation suddenly hit Sahara like a train crashing through a farm house.

One may counter this by arguing that figurative meanings are to come at a point when the learner will have had more exposure to longer and stylistically more varied chunks of language and therefore more subtle layers of meaning will be superimposed on more basic ones.

It is precisely this foreshadowing that I feel is well worth undertaking, wherever possible, at an earlier stage. My proposition is that images suitable for the understanding of the figurative uses of the words should be integrated in dictionaries so that learners can take a shortcut rather than beating about the bush.

I will illustrate with some examples:

Here are some images which will help learners avoid misuse of “reach” in many instances. [1]














The images will prepare learners for sentences such as

Anyone in need of assistance should reach out to the authorities as soon as possible.

Let me use another example. One of the many words that stump me when it comes to explaining them to Greek students is “ripple” not only because the Greek equivalents (κυματίζω, κελαρύζω, ρυτιδώνω, έχω αντίκτυπο, γίνομαι αισθητός) sound grossly unrelated to each other or make no sense to Greek students (ρυτιδώνω)but also because some  renditions in Greek (κυματίζω) would lead to wrong use of English words that can be translated in the same way. In the following sentences, for example, the italicised words could be all translated as «κυματίζω» in Greek.

A flag is flying.
A butterfly is fluttering its wings.
People are waving flags.

In fact, I was struggling to explain “ripple down” in a rather dense text for C2 students when I realised all I had to do was simply show this:



And then I moved on to “a ripple of laughter”, “a ripple of fear” and so on and the students caught on without as much as a word by way of explanation.

A similar approach could be adopted for the many onomatopoeias in English. Young learners have a keen ear and take great pleasure in imitating sounds. This is not the case with teens or adults –not in their majority, at least. It would therefore be extremely easy for an advanced learner who has already heard and imitated “rustle,” or “cackle” or “boom” at a more tender age to appreciate sentences like the following without the mediation of a dictionary or a teacher’s explanations.

Skirts rustled like dead leaves as Frau von Rogoff descended the stairs.
The interns began cackling with furious laughter.
Hope was getting dim when a deep voice boomed, “Children of the Earth, get out of the way!”



To sum up, what a wonderful learner’s world it would be if dictionaries illustrated words with images and/or sounds wherever this would facilitate and speed up learning. After all, what is technology for if we can’t make the most of it?







[1] I must once again point out that I have Greek learners of English in mind when I say this, and apparently learners with different first languages might find different images useful. And of course the English words that would be clarified by images will differ depending again on mother tongue interference.

Saturday, 2 March 2019

Dice, revision and creative work



We sometimes want to engage our students in a creative task, but we are short of new ideas and we desperately need some way of making the activity more attractive to them. We wouldn’t mind throwing in some vocabulary revision while we are at it.
Here are a few tips about how to go about it:

·       Open vocabulary books.
·       Leaf through the pages.
·       Find some words or phrases you have learnt but forgotten with time.
·       Make a list of 24 items.
·       Include verbs, nouns, adjectives, adverbs in equal measure.
·       Make 4 cardboard cubes.
·       Write one item on each face of the cubes.
·       For each cube, use items of one of the four groups of words.
·       Use the cardboard cubes as dice.
·       Every time you throw the dice, it must be a different group of words. (verbs, nouns, adjectives, adverbs)
·       Each time you throw the dice, write down the word on the top face on a piece of paper.
·       Make a list of at least 8 items to use in a poem or story.
·       Write your story or poem using the items in any order you like.

The more complicated you want the poem or the story to be, the more turns the students can take and the more items they have to use.


Friday, 8 February 2019

How to help your students improve their writing: sentence expansion and more



We teachers often complain about our students’ dry writing style. Writing is a skill which is teachable but not always taught, at least not with the consistency and perseverance required to produce results. To help students improve their writing, we have to encourage reading -- both intensive and extensive, capitalising on our students’ interests and preferences.

Extensive reading will expose students to a multitude of styles whereas intensive reading will highlight or bring into the foreground what differentiates one style of writing from another. Therefore, both are essential in sensitising students to the subtleties and nuances which constitute a writer’s unique style or set apart one genre from another.

I will focus on adding detail or sentence expansion. There are, of course, various devices to make students’ style more sophisticated: the use of subordinate clauses or prepositional phrases or even nominalisation -- at a more advanced level. There are also different ways for teachers to point out how to achieve this goal. I typically do this when I correct writing tasks by providing alternative ways of expressing some ideas or by qualifying nouns with adjectives or verbs with adverbs.

The above is a rather passive way of teaching though it has its own value. However, I often grab the opportunity to put my students in the position where they will have to work out how to expand sentences. It can easily be done from a beginner level to advanced. Using authentic material offers excellent opportunities for sentence expansion. Take this simple example I used with my B2 and C1 students.

The following sentence is the first one in a news story recently published in Huffington Post:

A drunk Russian man who unsuccessfully tried to hijack an Aeroflot passenger flight was detained by police on Tuesday after the plane made an emergency landing in Siberia, Russian investigators said.

What follows is an activity I prepared for my students:

This is the beginning of a recent news story.
A man who tried to hijack a flight was detained by police after the plane made a landing in Siberia.

Here are some extra details that came to light:
·        The man was Russian and he was drunk during the flight.
·        He didn’t manage to hijack the plane.
·        It was a passenger plane of Aeroflot Airlines.
·        The incident happened on Tuesday.
·        The landing was an emergency.

Try to integrate all the details provided above in the period quoted. Use any devices you need as long as you don’t add any clauses to the existing ones.


Let us look at a slightly different activity. This time it is a very short extract from a Roald Dahl story, in fact one of my favourites: The Hitch-hiker.

What follows is an extract from a story. Some words and phrases have been removed. Place them in the right place in the text:
In the fingers of his right hand, the man was holding up the two books he had taken from the policemen’s pockets. “Easiest job I have ever done,” he announced.

The words and phrases are:
in triumph, long, proudly, delicate

One can vary the difficulty of the activity in different ways: the obvious one is the choice of text but there are more subtle ones such as marking the spaces where the words must go or not.


Poems are ideal to use when it comes to adding detail. The following is a very simple example of how one can combine sentence expansion and adjective order: simply remove and jumble the adjectives and mark the nouns to be qualified in the poem.

Dusk in Autumn
By Sara Teasdale

The moon is like a scimitar,
A little silver scimitar,
A-drifting down the sky.
And near beside it is a star,
A timid twinkling golden star,
That watches likes an eye.

And thro’ the nursery window-pane
The witches have a fire again,
Just like the ones we make,
And now I know they’re having tea,
I wish they’d give a cup to me,
With witches’ currant cake.

Hope you have fun.





Saturday, 2 February 2019

Theorising and mistakes



If I am anything, I am a theorist. This doesn’t mean to say I am impractical; I simply like to construct an edifice which I will modify in the course of time if or when practice proves it ineffective or circumstances change and I have to adapt.

I find the way coursebook material is arranged too linear for the needs of the learner even with the revision sections thrown in. I prefer to customise and contextualise revision in ways that tease my students’ brains.

To cut a long story short, like most teachers in this world, I realise that no matter how many times my students have been corrected about small mistakes like the ending in the third singular person of Simple Present or the plural of nouns or the difference between adjective and adverb form in British English, they will consistently repeat the same mistakes when they write or speak.

Therefore, I came up with the idea of purposely omitting different kinds of endings in texts which are otherwise easily manageable for the students’ level.  Of course, I indicate by highlighting the items for correction  that there is something missing and they have to add it by focusing on content and accuracy.

The students responded very well to this type of exercise which recycles all kinds of different grammar points taught over a longer period of time than a couple of weeks, which is what an average revision unit covers in a coursebook.

The following is a news item I used to apply this all-round revision and raise awareness of simple mistakes.


Monday, 7 January 2019

Popcorn on the move or how to build a fun lesson for juniors around a poem.



Let’s build a lesson around a tasty poem this time. It is ideal for young children at junior a level.

The poem comes from Tasty Poems, collected by Jill Bennett and illustrated by Nick Sharratt and published by Oxford University Press.



I am citing the poem below:

Popalong hopcorn

I’m a hopalong
        popalong
popcorn in the pan!
                        In
        out
                        up
                        down!
Catch me
                If
you
                                can!


The following comes with a warning: you need to be fit!

It is not often that a teacher gets the opportunity to tire their students out physically so better make the most of this one.
Here are some suggestions about what steps to follow in priming your young learners for the poem and introducing the vocabulary – mainly by deixis.

Step 1: Bring in some popcorn. Go through the motions of sampling some and invite the students to do the same saying
 "Let’s taste some popcorn."
The children can repeat this as they taste the popcorn.

Step 2: Draw a pan on the board or show the learners a real one and get them to repeat the word.

Step 3: If you haven’t introduced prepositions of place yet, put some popcorn in the pan and say:
The popcorn is in the pan.
Take some out and say:
The popcorn is out.

Step 4: Demonstrate “hop” on one foot and “pop” on both feet.

Step 5: I happen to have lots of space outside the classroom so this works quite well, but even in more cramped circumstances, it is fun.
I normally hop and pop along the length of the yard to simply give the learners a rough idea of “along” and then I ask them to “hopalong and “popalong themselves.

Step 6: Draw a circle on the ground and practice “in and “out”.
While you are at it, also demonstrate “up” and “down” by jumping high and then coming down with hands pointing downwards.

Step 7: The real fun comes now. After performing the movements of “in”, “out”, “up” and “down”, run away and shout “Catch me if you can.
There is no doubt in my mind that the children will catch on to the idea!

Recap: the children should be comfortable with the new language and act it out bit by bit several times before they go on to execute the whole poem pretending to be popcorn kernels.